Candi Sari is located about 10 km from the center of Yogyakarta, only about 3 km from Kalasan. Precisely this temple is located in the Village Bendan, Village Tirtamartani, Kalasan District, Sleman, Yogyakarta. In accordance with the name of the village it is located, this temple is also called the Temple Bendan.
According to estimates of the temple was built in the 8th century AD, during the reign of Rakai Panangkaran, along with the development Kalasan. Both the temple does have many similarities, both in terms of architecture and reliefs. Linking the two temples is explained in the inscription Kalasan (700 Saka / 778 M). In the inscription Kalasan explained that the religious advisor has advised Wangsa Syailendra Tejapurnama Panangkarana Maharaja, who is thought to Rakai Panangkaran, set up a shrine to worship the Goddess Tara and a monastery for Buddhist monks. To worship the goddess Tara was built Kalasan, while for the dormitory was built Buddhist temple priest Sari. Its function as a dormitory or residence visible from the overall shape and parts of buildings and from the inside. That this temple is a building visible from the Buddhist stupa located on the top.
Sari temple was rediscovered at the beginning of the 20th century in a state heavily damaged. The first restoration was carried out between 1929 to 1930. About the restoration, the Kempers argue that the result is less satisfactory, in the sense of restoration has not managed to restore the integrity of the original building. This is caused by a number of the missing parts of the temple. In addition, when first discovered, there are parts of buildings that have been damaged with age, especially those not made of stone.
In the 19th century, about 130 m from Kalasan found the ruins of the temple, which according to estimates as the abode of the priests. Candi Sari is now, not far from Kalasan, is a part of a collection of temples that have been lost. It is estimated that, once there is a stone fence that surrounds the temple. Temple entrance is guarded by a pair of ARCA Dwarapala holding mace and snakes, as found in front of the temple Plaosan.
Candi Sari, rectangular, measuring 17.30 x 10 m, although supposedly the original ground-plan is longer and wider, because the original legs jutting out around 1.60 m. Overall height of the temple from the ground up to the top of the stupa is 17-18 meters.Gate of the temple, of a width approximately one-third the width of the front wall and the high half of the high walls of the temple, no longer exists. The only remaining wall of the former meeting place for the gate to the front wall.
According Kempers, Candi Sari is indeed an original two-story buildings or even three. The upper floor was used to store goods for religious interests, while the lower floor is used for religious activities, such as teaching and learning, discussion, etc.. Walls of this temple is also coated with vajralepa (brajalepa), protective layer that is also found in the walls of the temple Kalasan. From the outside it has been seen that the temple is divided into two levels, namely the presence of transverse walls that stand out like a "belt" around the midsection of the temple. The division is made clear by the flat poles along the walls of the lower level and pillared alcoves along the walls of the upper level.
Niches along the outside wall of the temple, both at the bottom or top, is currently empty. It is estimated, these recesses had been decorated with statues of Buddha.
Outside the body wall sculpture filled with statues and other decorations are very beautiful. Doorway and windows of each flanked by a pair of statues of men and women in a standing position holding a lotus. The number of statues as a whole is 36 pieces, consisting of eight statues in the front wall (east), eight statues on the north wall, eight on the south wall, and 12 on the west wall (rear). Size statues were the same size as the human body in general.
In other parts of the walls are filled with sculptured forms, such as the Kinara Kinari (bird man), ropes, and Kumuda (leaves and flowers sticking out of a round pot). Above the sill and alcoves decorated with Kalamakara without the lower jaw in the form of a highly decorative and far from being spooky. As to those found on temple walls Kalasan, Sari temple walls are also coated by a layer Vajralepa, which serves to preserve the bright colors and stones.
Stairs rise to the surface of the base of the temple has been destroyed. On the stairs there is a stone base. It is unclear whether it's stone base was in place, but it seems the lower part was immersed in the soil extolled.
The entrance was in the middle of the long side in the east.Originally, the doorway in the wall of the temple is located in a chamber that jutted out of the viewer. At this booth has been no trace of the viewer, so that the entrance to the room in the temple can be directly seen. Kalamakara decoration on the frame and above the doorway is very simple, because the decoration is beautifully situated on the outer wall of the booth door.
Inside the temple there are three rooms that lined each measuring 3.48 mx 5.80 m. The middle room and the two other rooms connected by doors and windows. Cubicles was originally built as a multilevel booths. High walls are divided by wooden floors supported by fourteen wooden cross beams, so that the temple is entirely contained six rooms. Inner wall of the plain room with no decoration. On the rear wall of each room there is a kind of rack was located high, formerly used as a place of religious ceremony and put the statue. Downstairs there are several statues and niches placemat putting a statue of the former. None of these statues are still remaining today. On the north wall and south rooms there are niches to put lighting.
Floor and part of the building made of wood is now gone, but the walls are still visible craters where plugging beams. In the south wall of the chamber was found a stone-chiseled stone menyerong, which serves as a buffer of the stairs made of wood.
Flat square-shaped roof of the temple was decorated with niches in 3 pieces each side. The frame is also decorated with carved niches tendrils and above threshold is also decorated with Kalamakara niches. Top of the temple in the form of a row of stupas, which consists of a stupa at each corner and one in the middle of the roof. At pemiotretan done, namely in March 2003, Candi Sari is undergoing refurbishment.
According to estimates of the temple was built in the 8th century AD, during the reign of Rakai Panangkaran, along with the development Kalasan. Both the temple does have many similarities, both in terms of architecture and reliefs. Linking the two temples is explained in the inscription Kalasan (700 Saka / 778 M). In the inscription Kalasan explained that the religious advisor has advised Wangsa Syailendra Tejapurnama Panangkarana Maharaja, who is thought to Rakai Panangkaran, set up a shrine to worship the Goddess Tara and a monastery for Buddhist monks. To worship the goddess Tara was built Kalasan, while for the dormitory was built Buddhist temple priest Sari. Its function as a dormitory or residence visible from the overall shape and parts of buildings and from the inside. That this temple is a building visible from the Buddhist stupa located on the top.
Sari temple was rediscovered at the beginning of the 20th century in a state heavily damaged. The first restoration was carried out between 1929 to 1930. About the restoration, the Kempers argue that the result is less satisfactory, in the sense of restoration has not managed to restore the integrity of the original building. This is caused by a number of the missing parts of the temple. In addition, when first discovered, there are parts of buildings that have been damaged with age, especially those not made of stone.
In the 19th century, about 130 m from Kalasan found the ruins of the temple, which according to estimates as the abode of the priests. Candi Sari is now, not far from Kalasan, is a part of a collection of temples that have been lost. It is estimated that, once there is a stone fence that surrounds the temple. Temple entrance is guarded by a pair of ARCA Dwarapala holding mace and snakes, as found in front of the temple Plaosan.
Candi Sari, rectangular, measuring 17.30 x 10 m, although supposedly the original ground-plan is longer and wider, because the original legs jutting out around 1.60 m. Overall height of the temple from the ground up to the top of the stupa is 17-18 meters.Gate of the temple, of a width approximately one-third the width of the front wall and the high half of the high walls of the temple, no longer exists. The only remaining wall of the former meeting place for the gate to the front wall.
According Kempers, Candi Sari is indeed an original two-story buildings or even three. The upper floor was used to store goods for religious interests, while the lower floor is used for religious activities, such as teaching and learning, discussion, etc.. Walls of this temple is also coated with vajralepa (brajalepa), protective layer that is also found in the walls of the temple Kalasan. From the outside it has been seen that the temple is divided into two levels, namely the presence of transverse walls that stand out like a "belt" around the midsection of the temple. The division is made clear by the flat poles along the walls of the lower level and pillared alcoves along the walls of the upper level.
Niches along the outside wall of the temple, both at the bottom or top, is currently empty. It is estimated, these recesses had been decorated with statues of Buddha.
Outside the body wall sculpture filled with statues and other decorations are very beautiful. Doorway and windows of each flanked by a pair of statues of men and women in a standing position holding a lotus. The number of statues as a whole is 36 pieces, consisting of eight statues in the front wall (east), eight statues on the north wall, eight on the south wall, and 12 on the west wall (rear). Size statues were the same size as the human body in general.
In other parts of the walls are filled with sculptured forms, such as the Kinara Kinari (bird man), ropes, and Kumuda (leaves and flowers sticking out of a round pot). Above the sill and alcoves decorated with Kalamakara without the lower jaw in the form of a highly decorative and far from being spooky. As to those found on temple walls Kalasan, Sari temple walls are also coated by a layer Vajralepa, which serves to preserve the bright colors and stones.
Stairs rise to the surface of the base of the temple has been destroyed. On the stairs there is a stone base. It is unclear whether it's stone base was in place, but it seems the lower part was immersed in the soil extolled.
The entrance was in the middle of the long side in the east.Originally, the doorway in the wall of the temple is located in a chamber that jutted out of the viewer. At this booth has been no trace of the viewer, so that the entrance to the room in the temple can be directly seen. Kalamakara decoration on the frame and above the doorway is very simple, because the decoration is beautifully situated on the outer wall of the booth door.
Inside the temple there are three rooms that lined each measuring 3.48 mx 5.80 m. The middle room and the two other rooms connected by doors and windows. Cubicles was originally built as a multilevel booths. High walls are divided by wooden floors supported by fourteen wooden cross beams, so that the temple is entirely contained six rooms. Inner wall of the plain room with no decoration. On the rear wall of each room there is a kind of rack was located high, formerly used as a place of religious ceremony and put the statue. Downstairs there are several statues and niches placemat putting a statue of the former. None of these statues are still remaining today. On the north wall and south rooms there are niches to put lighting.
Floor and part of the building made of wood is now gone, but the walls are still visible craters where plugging beams. In the south wall of the chamber was found a stone-chiseled stone menyerong, which serves as a buffer of the stairs made of wood.
Flat square-shaped roof of the temple was decorated with niches in 3 pieces each side. The frame is also decorated with carved niches tendrils and above threshold is also decorated with Kalamakara niches. Top of the temple in the form of a row of stupas, which consists of a stupa at each corner and one in the middle of the roof. At pemiotretan done, namely in March 2003, Candi Sari is undergoing refurbishment.
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